Category Archives: Art

The Daily Conundrum

I have woken up this morning in a conundrum.  I don’t know what to do.  This is not a new feeling for me – but it is uncomfortable.  There is much I COULD do, mainly of the domestic nature – that never goes away. There is some of what I  MUST do – the arrangements for food, the dog walk, the reading of son’s draft for his dissertation ( though why he wants me to is questionable as I understand so little in it).  At the end of all that remains the burning question what do I WANT to do.

I spend alot of my creative time playing at illustration,  a little of my time actually making, and too much of my time trying to promote myself via the new technologies – and all without a great deal of success since my social media savvy is minute.  I have decided to try and be brave and do what I want to do more – which is create, and less time at the  techy end. That doesn’t sound that brave does it?

The more time is sucked up by t’Internet, the less time there is to do what nurtures me.  I realise this is slightly paradoxical as I am here, typing my resolution to stop trying so hard.

This is the plan then,

Coffee, Muesli, planning strategy to limit time spent on promotion. This may involve some research , so that will demand more time. See what I mean?  I need to reach a decision whether to commit to a new start with Folksy which is a U.K based online crafts seller.  I have been there in the past without much successs, but I like the look of it much more now, and Etsy has changed considerably since it opened up to the stock market.

Already then my first plan is unravelling, as the decisions I need to make suck up the time I wanted to reinvest in making.

And I havn’t even touched on whether I should consider my own website. A step too far methinks.

I have to go now. I have to start something. Now.

Here’s something I made earlier. If you want to investigate more of what I am up to in the handmade arena of my little life, then leap over to my Etsy store here,www.etsy.com/uk/shop/modestly  where I have some books and cards ready for your delictation.  I generally make to order, so the ones displayed are examples of the finished article.  The covers vary , as I like to make each order individual. If you go over to my facebook page, you can see photos there of completed books.

My illustration work is sold via a variety of sites, and is fairly eclectic in style.  I tend not to box myself in. The downside of this approach is that I don’t fit anywhere.  Sounds somewhat familiar, and it is this that I need to resolve.  Does it matter that I don’t fit? What am I trying to achieve?   I will never be ‘successful’ in any way that means anything to the outside world. I love the affirmation that selling something gives me – it is a reward that someone values something enough to pay for it. But it isn’t WHY I do what I do. I do it to stay sane in a mad, mad world.

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The Universe in a Flower

universe

I took my camera out yesterday, not really expecting to achieve anything – rather in the hope that I might kickstart my mojo, as I am climbing out of that hole in my head and I will try anything as soon as I am able!  So imagine my delight when the universe sent me a heart shaped message amongst the briars.

I remembered the  Buddhist monk Sengai Gibon who made simplicity look , well simple- managing at the same time to raise the deepest questions we ask ourselves- what and why is the Universe?

Go quietly in the world. Be kind.

In the end is my beginning

A calendear of images by Anne Corr based on interpretation of poetic text

A calendar of images by Anne Corr based on interpretation of poetic text

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http://www.redbubble.com/people/anni103/calendars/16136050-in-my-end-is-my-beginning?p=calendar&ref=artist_shop_grid

In an unashamedly brazen attempt to get you all to look at my illustration work I have put together twelve images from my Redbubble page which have all been inspired by poetic works from various poets.  I have a preoccupation with the themes of time and nature , and constantly draw solace and inspiration from art and poetry alike that resonates.  The title of the calendar was taken from T.S. Eliot’s poem East Coker from ‘The Four Quartets’ – a poem that invites speculation and re reading time and time again.

Home is where one starts from. As we grow older
The world becomes stranger, the pattern more complicated
Of dead and living. Not the intense moment
Isolated, with no before and after,
But a lifetime burning in every moment
And not the lifetime of one man only
But of old stones that cannot be deciphered.
There is a time for the evening under starlight,
A time for the evening under lamplight
(The evening with the photograph album).
Love is most nearly itself
When here and now cease to matter.
Old men ought to be explorers
Here or there does not matter
We must be still and still moving
Into another intensity
For a further union, a deeper communion
Through the dark cold and the empty desolation,
The wave cry, the wind cry, the vast waters
Of the petrel and the porpoise. In my end is my beginning.

I hope this is inviting enough for some of you to investigate the other products that have my illustrative work on them and please forgive the self promotion!  At the moment Redbubble are offering a 20% discount with the code THESEDAYS.  Simply quote the code at the checkout stage.

Parkland in Metropolis

parkland in metropolis

parkland in metropolis

Walking – one step in front of another, and the trees bend one way then another , whispering  , living lives of mystery beneath my feet.  I love the dialogue I have with these forebears. I cannot remember a time when I didn’t notice the living companions growing beside me, I only remember how bleak it was when I lived for a time in a concrete jungle, because it was the cheapest housing.

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RSA Animates with Manuel Lima

RSA Animates with Manuel Lima

This wonderfully drawn slide from one of the splendid animations by RSA  Animates demonstrates how wonderfully similar the patterns of very different life mechanisms can be – it reminded me how powerfully I felt the implications of that similarity when I compared the visuals from different ends of the telescope in the ‘Powers of Ten ‘video, which is well worth visiting here:  http://www.eamesoffice.com/education/powers-of-ten-2/

What I viewed as I turned the pages of the vintage book was the astonishing similarity between the patterns from the telescope when it was viewing the universe at the scale of 10  to the power of 10 positive, compared with the patterns of the view when under the microscope the make up of the atoms viewed at the scale of 10 the to power of 10 negative. Totally bizarre.

It seems implausible that the patterns from such vastly different scales of what we experience as life can almost replicate each other – there is poetry in it , a mystery of import which mankind has not yet fathomed. It excites me to find that sort of synchronicity which perplexes and offers the possibility of discovering more exciting knowledge, more depth of human understanding exists beyond current comprehension.  It suggests that the route of interconnectedness may be the one to follow, and even more so today after reading about the ‘wood wide web’. (many biologists have started using the term “wood wide web” to describe the communications services that fungi provide to plants and other organisms.)

Eastern philosophy, poets and Science seem to be united in their preoccupation with the interconnectedness of life’s machinery, and as D.H .Lawrence wrote

     ‘I am part of the sun as my eye is part of me.  That I am part of the earth my feet know perfectly, and my blood is part of the sea.’

Show me more examples of pattern synchronicity – those occurrences that make you shudder with possible delight and expectation. I am deeply interested in knowing more.!

The RSA animates video I referred to in the top image can be found here rsa animates and in this particular one Manuel Lima discusses the power on networks in a complex world.

That which ‘hath no parts….no magnitude. ‘a.k.a Euclid’s point

John Banting

” Anyway, these ideas or feelings or ramblings had their satisfactions.  They turned the pain of others into memories of one’s own.  They turned pain, which is natural, enduring and eternally triumphant, into personal memory, which  is  human, brief, and eternally elusive.  They turned a brutal story of injustice and abuse , an incoherent howl with no beginning or end, into a neatly structured story in which suicide was always held out as a possibility. They turned flight into freedom, even if freedom meant no more than the perpetuation of flight. They turned chaos into order, even if it was at the cost of what is commonly known as sanity”

It has taken me to page 189 to find a passage that sings.  This is a trial of a book, and I am channelling my resilience in order to discover nuggets such as this.

I have found one more so far – and one that is amusing me .  The link to my own life dilemna is that of finding an engagement present which has more meaning to the recipients than a token of splendid hope for a future of wedded bliss.  I have found my ideal gift in a tableau written by Bolano in which his character re-enacts one of the ready made artworks by Marchel Duchamp. He hangs up a geommetry book on a clothesline in the garden “letting the wind go through the book, choose its own problems, turn and turn out the pages”     Marcel gave this instruction to his sister in law as his wedding gift and in turn she made a painting of it, calling it ‘Marcel’s Unhappy Readymade. Duchamp said it amused him to bring the idea of happy and unhappy into readymades and include the actions and consequences of the elements. So Bolano is referencing the ideas of a surrealist artist , one who said

“What is the solution?  There is no solution because there is no problem. Problem is the invention of man – it is nonsensical” .

And yet it is possible the book Duchamp chose for his readymade artwork was Euclid’s Elements, in whose time it was believed not distinction existed between physical and and geometrical space. Euclid’s definition of a point is “that which hath not parts, or which hath no magnitude”.  This surreal artist has attempted bravely to surmount the inexpressibly bleak meaningless of existence by purporting to draw attention to it, and in doing so produces opportunity for reportage and creative endeavour.  So that book of geometry that is reduced to nothing by the wind and the rain is now an idea in an artists brain, it has been made into a painting, and subsequently into a further exploration yet by a later artist John Banting in his surreal picture, and later still , finds its way into Bolano’s artistic creation. An author who plays with the notion of novel and fiction and reality.  Margins between what is real and what is imagined are blurred, but the interest for me in his writing is how he mirrors the simultaneous mundanity of life with the danger and inherent grotesque realities that invade our lives, as horrors of brutal terrorism and inhumanity are played out daily in all of our lives across the internet and the screen.

Do I dare to to imitate art and give my nephew and his intended an instruction to hang a book of geometry from their washing line, and name it as a gift.  My husband says not.

I think it is the best gift they will ever receive.

The book I am reading is Roberto Bolano’s 2666 and the image is John Bantings ‘Ruin And Clothes line’ 1937, an artist who met Duchamp . Courtesy of  http://www.lissfineart.com

Like this

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Like This is a poem by Rumi, with a backdrop of a digital painting by Anne Corr

 

If anyone asks you

how the perfect satisfaction

of all our sexual wanting

will look, lift your face

and say,

Like this.

When someone mentions the gracefulness

of the nightsky, climb up on the roof

and dance and say,

Like this.

If anyone wants to know what “spirit” is,

or what “God’s fragrance” means,

lean your head toward him or her.

Keep your face there close.

Like this.

When someone quotes the old poetic image

about clouds gradually uncovering the moon,

slowly loosen knot by knot the strings

of your robe.

Like this.

If anyone wonders how Jesus raised the dead,

don’t try to explain the miracle.

Kiss me on the lips.

Like this. Like this.

When someone asks what it means

to “die for love,” point

here.

If someone asks how tall I am, frown

and measure with your fingers the space

between the creases on your forehead.

This tall.

The soul sometimes leaves the body, the returns.

When someone doesn’t believe that,

walk back into my house.

Like this.

When lovers moan,

they’re telling our story.

Like this.

I am a sky where spirits live.

Stare into this deepening blue,

while the breeze says a secret.

Like this.

When someone asks what there is to do,

light the candle in his hand.

Like this.

How did Joseph’s scent come to Jacob?

Huuuuu.

How did Jacob’s sight return?

Huuuu.

A little wind cleans the eyes.

Like this.