‘True Impressions’ – the essential necessity of art

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‘And art and literature – what of them? Well, there is a violent uproar but we are not absolutely dominated by it. We are still able to think, to discriminate, and to feel. The purer, subtler, higher activities have not succumbed to fury or to nonsense. Not yet. Books continue to be written and read. It may be more difficult to reach the whirling mind of a modern reader but it is possible to cut through the noise and reach the quiet zone. In the quiet zone we may find that he is devoutly waiting for us. When complications increase, the desire for essentials increases too. The unending cycle of crises that began with the First World War has formed a kind of person, one who has lived through terrible, strange things, and in whom there is an observable shrinkage of prejudices, a casting off of disappointing ideologies, an ability to live with many kinds of madness, an immense desire for certain durable human goods – truth, for instance, or freedom, or wisdom. I don’t think I am exaggerating; there is plenty of evidence for this. Disintegration? Well, yes. Much is disintegrating but we are experiencing also an odd kind of refining process.’1

 

 

This paragraph of wisdom was gleaned from Saul Bellow’s lecture in 1976, and encapsulates some of my recent thinking.  I both applaud and deplore the recent breakthrough in technology , bringing the immediate and the virtual to practically every home or person via internet and smartphone.  I am aware of the changing awareness it provides me – the gratification of satisfying curiosity quickly and easily , whilst simultaneously eroding my capacity for concentration. I am a gadfly, settling momentarily for bites of informative , entertaining distraction rather than entering into a thorough investigation of one area of interest.  That is possibly character led – I have never been the model for applied intelligence, but even within my own modest parameters I feel an unease at how I limit my attention to reading matter in particular. And yet the other side of the coin gleams attractively – the range of newly discovered channels of information is thrilling. I watch video of life on earth previously undreamt of in even my mother’s generation, introducing whole facets of human and other strands of life that can only inspire further exploration and discovery. The vast multitude of available paths is itself discombobulating – sometimes paralysing. It can be both inspiring and frightening, to be open to so much possiblility can overwhelm and freeze , halting the desire to progress. So I cheer the idea  of Bellow’s ‘quiet zone’.  I know that we are so much further on too, than when this was written- forty years is after all, a lifetime to some. We are experiencing a world in flux -it has ever been thus – and still we need to champion the Arts as a way of life, one which explores, enhances and illuminates the human condition.  It is not only in the world of the novel that the ‘individual’ is petrified – never more than now has our species depended on the interconnectedness and the application of that knowledge of interconnection in order not only to flourish, but to survive , both in a literal and a metaphorical sense.
We grow our technology at a rate that imperils our planet and ourselves. We grow our technology in order to save the planet and ourselves. Both are versions of the same reality. We choose, as individual human beings how to behave, both individually and collectively. Some of us choose our governments to act on our behalf, some are less fortunate, but all of us are responsible for the reality we choose.

Saul Bellow’s lecture discussed the value of literature in exposing the ‘true impressions’ to ourselves.  It is as prescient today as it was then;

‘The value of literature lies in these intermittent “true impressions”. A novel moves back and forth between the world of objects, of actions, of appearances, and that other world from which these “true impressions” come and which moves us to believe that the good we hang onto so tenaciously – in the face of evil, so obstinately – is no illusion.’

It is the artist’s gift to show us what is generally unnoticed by us.

The march of technology will continue to move us through different method of exploring that creative expression and I have no problem with that. When I thought about it, the popular mass of human beings on the planet have not enjoyed the easy access to books for that long, perhaps reading is only part of a creative journey to be taken by a comparative few. Perhaps the experience of being human and expressing paradox and complexity will follow different routes of expression, but express it we must. As Joseph Conrad explained, and Saul Bellow related:’ the novel tells us that for every human being there is a diversity of existences, that the single existence is itself an illusion in part, that these many existences signify something, tend to something, fulfill something; it promises us meaning, harmony and even justice. What Conrad said was true, art attempts to find in the universe, in matter as well as in the facts of life, what is fundamental, enduring, essential.’

The lecture can be read or listened to in full via the  link in the citation.

Citation:

1 ; MLA style: “Saul Bellow – Nobel Lecture”. Nobelprize.org. Nobel Media AB 2014. Web. 11 Feb 2016. <http://www.nobelprize.org/nobel_prizes/literature/laureates/1976/bellow-lecture.html&gt;

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